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Fannish Dodo. Copyright Lynn Perkin 2005

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Semi-Final Program Grid for Alan Smale

This is the Semi-Final program schedule. Alan Smale may or may not actually be on these items, but probably will. However, due to circumstances beyond our control, modifications to the program can occur throughout the convention.

Friday 6:00 pm: Space Marines and Goblin Troopers (Ends at: 6:55 pm)
Panelists: Ron Garner (M), Mike McPhail, Alan Smale, Bud Sparhawk, K. Ceres Wright
How should military be structured in Science Fiction and Fantasy? Should forces be combined or segmented? What are some good examples of both in modern writing? Are there approaches to the military that genre fiction neglects?
Saturday 12:00 pm: 1001 Uses for an Unpublished Story (Ends at: 12:55 pm)
Panelists: Laura Anne Gilman, Larry Hodges, Victoria Janssen (M), Craig Alan Loewen, Alan Smale
Sometimes they sell,sometimes they don't, what do you do with your unsold stories? Do you ever write anything you know can't be sold? Do you mine the novel in your trunk?
Saturday 7:30 pm: Mass Signing (Ends at: 8:25 pm)
Panelists: Danielle Ackley-McPhail, Catherine Asaro, Eric Bakutis, Philippa Ballantine, Matt Betts, Matt Bishop, Neil Clarke, Tom Doyle, Andrew Fox, Charles E. Gannon, Carolyn Ives Gilman, Laura Anne Gilman, John G. Hemry, Alma Katsu, Annette Klause, John Edward Lawson, Dina Leacock, Edward M. Lerner, Marianne Mancusi, George R.R. Martin, James Maxey, Heidi Ruby Miller, Jason Jack Miller, James Morrow, Diana Peterfreund, Patrick Scaffido, Lawrence M. Schoen, Jon Skovron, Alan Smale, Michelle D. Sonnier, Bud Sparhawk, Janine Spendlove, Michael Swanwick, Michael A. Ventrella, Jean Marie Ward, Lawrence Watt-Evans, Steven H. Wilson, Leona Wisoker, K. Ceres Wright
The Saturday evening mass autographing session.
Sunday 3:00 pm: Historical Alternates (Ends at: 3:55 pm)
Panelists: Day Al-Mohamed (M), Tom Doyle, Carolyn Ives Gilman, Alan Smale, Howard Waldrop
Can you still write alternate history when few Americans know real history? Is that why so many alternate histories focus on Civil War and WWII? How can authors of alt hist use signposts that suggest enough about real history so people can understand the alt one.

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