Preliminary Draft Program Grid for Darrell Schweitzer
This is the Preliminary Draft program schedule. Darrell Schweitzer may or may not actually be on these items, but probably will. However, due to circumstances beyond our control, modifications to the program can occur throughout the convention.
|Friday 9:00 pm: Reading (Schweitzer) (Ends at: 9:25 pm) Frederick|
Panelists: Darrell Schweitzer
|Friday 11:00 pm: The Appeal of King Arthur (Ends at: 11:55 pm) Salon A|
Panelists: Tom Doyle, Max Gladstone, David G. Hartwell, Darrell Schweitzer, Jean Marie Ward (M)
What makes so many writers from Twain to Mary Stewart to Lerner and Lowe produce their own takes on 'the matter of Britain'? Why do King Arthur books thrive while other legends like Robin Hood get far less attention? What are the best takes on the Arthurian legend?
|Saturday 11:00 am: The Taxinomy of Fantasy (Ends at: 11:55 am) Bethesda|
Panelists: Holly Black, Tom Doyle (M), Max Gladstone, Annette Klause, Darrell Schweitzer
Urban Fantasy, Paranormal Romance, Dark Fantasy, High Fantasy, Epic Fantasy, Mythic Fantasy, etc. How many types of fantasy are there? Readers' tastes evolve over time. Which types of fantasy are currently the most popular, which are becoming less popular, where is fantasy headed and why?
|Saturday 7:30 pm: Mass Signing (Ends at: 8:25 pm) Salon A|
Panelists: Danielle Ackley-McPhail, Sarah Avery, Paolo Bacigalupi, Holly Black, Marilyn "Mattie" Brahen, Neil Clarke, Tom Doyle, Andy Duncan, Scott Edelman, Jim Freund, Charles E. Gannon, Max Gladstone, David G. Hartwell, Alma Katsu, Pamela K. Kinney, Barbara Krasnoff, Dina Leacock, James Maxey, Will McIntosh, Mike McPhail, Sunny Moraine, James Morrow, Sarah Pinsker, Benjamin Rosenbaum, Lawrence M. Schoen, Darrell Schweitzer, Alex Shvartsman, Jon Skovron, Alan Smale, Bud Sparhawk, Janine Spendlove, Genevieve Valentine, Michael A. Ventrella, Lawrence Watt-Evans
The Saturday evening mass autographing session.
|Sunday 3:00 pm: Reviews vs Literary Criticism (Ends at: 3:55 pm) Frederick|
Panelists: D. Douglas Fratz, David G. Hartwell, Natalie Luhrs, Darrell Schweitzer, Gayle Surrette (M)
There are many different levels of reviewing. Publications such as Publishers Weekly and Romantic Times typically want only a couple hundred words, in SFRevu 500-1000 words is pretty standard, and the New York Review of Science Fiction publishes 3000+ word reviews. There are reviews that exist primarily to give readers a general idea as to whether they want to buy the newly published book without spoiling the book, and there are longer more academically oriented reviews which attempt to engage with the novel in a broader context to put the book in its place within the genre and which generally assume the reader of the review has already read the book. Do you write the review from the head or from the heart? How much of the plot should you discuss?
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