Preliminary Draft Program Grid for Ian Randal Strock
This is the Preliminary Draft program schedule. Ian Randal Strock may or may not actually be on these items, but probably will. However, due to circumstances beyond our control, modifications to the program can occur throughout the convention.
|Friday 5:00 pm: Small Press Publishing (Ends at: 5:55 pm) Bethesda|
Panelists: Danielle Ackley-McPhail, Scott H. Andrews, Neil Clarke (M), Shahid Mahmud, Ian Randal Strock, Sean Wallace
Running a publishing company, publishing a magazine or semi-pro zine. What's worked for you? What hasn't? How do you handle the intellectual property rights? How do you publicize your product? How do you get it into stores? What should your website look like? If you're publishing books do you want to do print copy and e-books? Only e-books (and maybe some POD)?
|Friday 9:00 pm: Ending Stories - Bang or Whimper? (Ends at: 9:55 pm) Rockville/ Potomac|
Panelists: Scott Edelman, Pamela K. Kinney, Dina Leacock, Alex Shvartsman, Ian Randal Strock, Allen Wold (M)
So many short stories start out well but end abruptly or just trail off, leaving the reader to wonder, what's the point. Why does this happen and how can writers avoid this fate? How do you determine your endings? Is a twist ending a cheat?
|Friday 10:00 pm: Flash Fiction - Writing for the Short Attention Span Generation (Ends at: 10:55 pm) Rockville/ Potomac|
Panelists: Meriah Lysistrata Crawford, Larry Hodges (M), Alan Loewen, Benjamin Rosenbaum, Ian Randal Strock
Markets are opening up everywhere for stories of 500 to 1,000 words or less and with the advent of Twitter and Facebook, there are markets for stories just a few sentences in length. In this panel we will discuss the markets, the writing techniques, the agony and the ecstasy and the future of writing the super-short story.
|Saturday 11:00 pm: Eye of Argon (Ends at: 11:55 pm) Bethesda|
Panelists: Walter H. Hunt, Sarah Pinsker, Ian Randal Strock, Michael A. Ventrella (M), Jean Marie Ward
Our panelists read the worst fantasy story ever written, mistakes and all, and if they laugh or read it incorrectly, they are forced to act out the story. Just try not to fall over laughing! At some point, volunteers from the audience can participate and discover firsthand the author's contentious relationship with spelling, capitalization and punctuation.
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